Augustus John (Q57967)

From Semantic Name Authority Repository Cymru
Revision as of 19:04, 10 December 2023 by Jason.nlw (talk | contribs) (‎Removed claim: National Library of Wales Authority ID (P12): john-augustus-1878-1961-family-correspondence)
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Welsh painter (1878–1961)
  • Augustus John OM
  • augustus john
  • Augustus Edwin John (Sir)
  • Augustus Edwin John
  • Augustin Edwin John
  • a. john
  • John
Language Label Description Also known as
English
Augustus John
Welsh painter (1878–1961)
  • Augustus John OM
  • augustus john
  • Augustus Edwin John (Sir)
  • Augustus Edwin John
  • Augustin Edwin John
  • a. john
  • John

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Augustus Edwin John, artist, was born at Tenby, Pembrokeshire, on 4 January 1878. He studied at the Slade School in London between 1894 and 1899. A diving accident in 1897 caused severe head injuries, reputedly affecting his personality and painting style. He married Ida Nettleship in 1901 and they had five children. At about the same time, he was appointed to teach art at the University of Liverpool, where he was taught the Romani language. Periods of travelling throughout England and Wales in a gypsy caravan inspired much of his work before World War 1. In 1902, he met Dorothy MacNeill, giving her the Romani name Dorelia. She became his most important model and lifelong inspiration; she moved to Paris with Augustus's sister, the artist Gwen John, the following year. Augustus based himself mainly in Paris in 1906-1907. After Ida's death in 1907, Dorelia became John's partner (they never formally married). They had four children together, both before and after Ida's death. His early period of work was characterised by drawings from life, notably of contemporaries including Ida and Dorelia and his sisters, as well as portraits in oils influenced by the Old Masters and an experimental series of etchings. He was elected President of the National Portrait Gallery in 1914. During World War 1 he spent a brief time in France, employed by the Canadian government as a war artist, and was official artist at the Paris Peace Conference in 1919. After a period of painting landscapes and employing a more modern impressionistic idiom, he became increasingly successful as a portrait painter.
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Augustus John
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Augustus John
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